








































TSHBE!
THE
SUN
HAS
BEEN
EATEN!
12 AUG 2026
@ BIELEBOH
On 12 August 2026 the moon covered most of the sun above Upper Lusatia. Not night — that wrong, tilted light where birds go quiet and insects start up as if someone tampered with the clock. It happened in the evening, low over the hills, and the sun set while it was still eaten.
Four thousand years ago a Chinese scribe wrote down an eclipse in the plainest words anyone has found for it: the sun has been eaten. People beat drums to frighten the dragon off. The sun came back. It worked every time.
We didn't make a viewing appointment out of it. We made a day you walked through: from a flooded granite quarry, up through forest, onto a mountain, into the night. No festival ground, no barrier between stage and crowd. A lot of people going somewhere together.
IN COOPERATION W/ DZA -DEUTSCHES ZENTRUM FÜR ASTROPHYSIK
Here's what we did to calm the spirits.
The walk — a procession on foot, afternoon into evening — was a small registered group. From the eclipse onwards everything was open to all and free: the summit from around 18:30, then the concerts at the Naturresort Bieleboh, open-air with an indoor room for the weather.
The observation gathered at Parkplatz Bieleboh (Plus Code 3GJG+GM, Beiersdorf).
Eye protection was required; eclipse glasses were on site in limited number. Don't look back in anger, nor into the eclipse without protection.
We filmed the whole day as a single continuous take.
Dress code was: RED.
RUNNING
UP THE
HILL
† BOLTZ
MANN †
BRAINS
++SIGHT
LINES++
THE
STAT
IONS
swarm
passage
eclipse
horizon
sound
walk
watch
listen
† BOLTZ
MANN †
BRAINS
++SIGHT
LINES++
FROM 16:00 · SECRET SPOT BY THE WATER
The Swarm: Boltzmann Brains at Lake Fermi
The day opened at the flooded quarry. ANAA SERGEJ and JUNYING WU opened the water with The maze of a daydream — a roughly twenty-minute performance with gong, hydrophone and loudspeaker, making the sounds of the quarry water audible.
ANDREJS POIKĀNS led a collective score of bird-exchange, after the Latvian Easter dance song Bagātais un nabagais (The Rich One and the Poor One), holding the exchange of value as a cosmological model. The collective OUTSIDEININSIDEOUT took part, among them YANG CHENG.
16:30 → BIELEBOH
The Passage: Running Up That Hill
We set off on foot, up through the forest, about ninety minutes on existing paths. Drums set the pulse — the oldest instrument for this exact occasion. Choral voices carried the path, and WALBURGA WALDE intoned Sorbian legends along the way, leading into Deep Listening at the stops. Sorbian drag ANGEL VAN HELL showed a performance drawn from a spring rite. VOOR WINKLER took us on a transformative journey through body and mind. Two stops at sun sanctuaries — a forest clearing, and the Steinklunsen near Beiersdorf: granite, moss, a cave, someone's shelter.
FROM 18:30 · BIELEBOH SUMMIT, 499 M
Everyone gathered on the mountain. The Dresden women's choir femmes vocales, led by Sylke Zimpel, had already met the group partway up and sung there for the first time — a multi-part a-cappella cycle staggered along the route: archaic Estonian Tormis songs at the sanctuary, Slovenian songs of mountain and moonlit night on the ascent, a wordless solstice dance piece. At the summit, choir and WALBURGA WALDE sang on through the eclipse.
19:18 · FIRST CONTACT
The moon touched the sun. A sound marked the moment.
20:10 · MAXIMUM
The Sun Has Been Eaten!
femmes vocales, the Dresden women's choir, sings. WALBURGA WALDE intones Sorbian songs. Eighty-five percent of the sun is gone, and the light goes wrong. It lasts a few minutes.
20:29 · SUNSET
Penumbra
The sun went down still eaten — the moon still in front of it as it dropped behind the horizon. Nothing came back that night. We walked down through half-shadow, the way we came.
AFTER · NATURRESORT BIELEBOH
The Event Horizon, from 20:45
As the last light drained off the hills, the day crossed into its final station — concerts under open sky, an indoor room held in reserve for the weather, the crowd from the walk settling into the dark together.
Concerts while the dark settles, into the night —
bistu ryx
Colombia/Dresden
from 21:00 — shamanistic performance and sound, ritual gesture and live electronics opening the night, low and textural, pulling the mountain's quiet into rhythm.
Zosia Hołubowska
Poland/Vienna
from 21:45 — archaic voice and dark electronics, ritual song bent through synthesis; the sound that carried the deepest part of the night.
Aidan Baker
Canada/Berlin
from 22:30 — post-rock and drone, long-form guitar layered into a slow, enveloping close as the sky went fully black.
DONORS
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Das Vorhaben wird gefördert durch die Stiftung für das sorbische Volk, die jährlich auf der Grundlage der beschlossenen Haushalte des Deutschen Bundestages, des Landtages Brandenburg und des Sächsischen Landtages Zuwendungen aus Steuermitteln erhält.
Projekt spěchuje so wot Załožby za serbski lud, kotraž dóstawa lětnje přiražki z dawkowychsrědkow na zakładźe hospodarskich planow, wobzamknjenych wot Zwjazkoweho sejma, Krajneho sejma Braniborskeje a Sakskeho krajneho sejma.
Projekt spěchujo se wót Załožby za serbski lud, kótaraž dostawa lětnje pódpěru z dankowychsrědkow na zakłaźe etatow, wobzamknjonych wót Zwězkowego sejma, Krajnego sejmaBramborska a Sakskego krajnego sejma.
SEAR
is part of a growing network of independent residencies,
research labs, and community-based initiatives working across art, science, and regional contexts.
Together with partners such as FSO Poland & FSO France and other international collaborators, we are building connections that extend beyond a single residency format — creating shared structures for production, exchange, and presentation across borders.
This means that projects developed within SEAR do not end in Schönbach. They continue to move: into presentations in Upper and Lower Lusatia, into partner institutions, festivals, and exhibitions, and into further collaborative formats.
At the same time, SEAR remains rooted in its local context. The work is shaped by the specific conditions of Lusatia — its landscapes, histories, communities, and ongoing transformations — and grows outward from there.
The aim is to create a space where projects can evolve over time: through follow-up invitations, continued collaborations, and the possibility to return, expand, or reconfigure what has been started here.
THE UNIVERSE IS SPEAKING IN NUMBERS
69
WORKS
Essay, film, sound, installation, performance & beyond.
180+
ARTISTIC CONTRIBUTORS
Tutors, mentors, filmmakers,
artists, thinkers, performers.
110
PARTICIPANTS
Emerging artists, filmmakers and
scientists from differnet fields.
30+
COUNTRIES AND REGIONS
People from the Sorbian Triangle
to Sri Lanka and beyond
1200+
AUDIENCE MEMBERS
Across screenings, lectures,
exhibitions & concerts.
25+
PARTNERS AND SUPPORTER
from Lusatia, the Euroregion Neisse and international
200k+
EUR
invested directly into the region through cultural & educational programmes
13
6 EDITIONS AND 7 EVENTS
next: FSO Germany May 2027
@ Kühlhaus Görlitz








































